Miriam Makeba’s sensational “Pata Pata” timely covered in rocksteady fashion by Patsy Millicent Todd in 1967. Strictly nyahbinghi yet sounding pop somehow - it’s an unmissable tune for those who know.

Master of the Jamaican jazz, Lennie Hibbert, on one to one session with the nyabinghi great Count Ossie. Considering the standard of its time those Gay Feet sessions are somewhat miraculous. Backed by Jamaican soul anthem by Patsy, this record is far from the bloodstream of the time and will surely rated more and more as time goes by.

Needless to say one of the top Count Ossie's nyabinghi pieces but also a Jamaican rare groove masterpiece accompanied by Ernest Ranglin and Leslie Butler.

Single cut of the epic "Grounation" - lively piece gathering peace and love backed with the flute lead instrumental "Ethiopian Serenade" also a single only version.

The next Dub Irator twelve is back to back heat, and two of the rarest tunes from the Jah Life catalog. Jug Head's tune is a 1984 roots heater, Ossie D & Stevie G's tune is late '80s one-away digital fire, and both sides with dubs!

An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie’s band, including the incomparable tenor saxophonist Cedric ‘I’m’ Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I

An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie’s band, including the incomparable tenor saxophonist Cedric ‘I’m’ Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I